Romanticism

Nov 24 2013 Published by under General

Jose de Alencar exactly tries to create a Brazilian language joining vocbulos aboriginals to the ones of the Portuguese language. Names of birds, places, name of aboriginals, name of animals are incorporated then. With this the Portuguese language enriched vertiginously. The Romantismo quickly accepted and was spread out in all Brazil. Sentimental and patient this because the Brazilian is melancholic, by its very nature. Everything favored the expansion of the chain in our way.

9.7.CARACTERSTICAS ROMANTIC: The Romantic characteristics are innumerable. Let us see some of them: popular 1.Linguagem; 2.Religiosidade; 3.Domnio of the feeling on the reason; 4.Individualismo, center in I; 5.Emoes, devaneios, dreams, illusions; internal 6.Insatisfao, conflicts; 7.Fuga to the reality; 8.Indianismo (in Brazil); 9.Sentimentalismo, sadness, melancholy; 10.Paixo, woman in the pedestal; 11.Subjetivismo (what it matters is the citizen); 12.Relao with the death; 13.Amor to the illnesses, the suffering; 14.Cansao of the life; 15.Relao with the nature; 16.Nacionalismo: Folklore, traditions, herosmo; 17.Liberdade of literary forms 18.Solido; 18.Admirao for the beauty; 20.Amor of one forms generality. 9.8. The BRAZILIAN ROMANTIC POETRY 1A. GENERATION – POETS AND WORKMANSHIPS: The Brazilian romantic poetry is divided in three generations or stages. In all they notice the love to the native land and the sentimental language. It had many pretensions, however nor they had been always fulfilled. The Brazilian landscape served of deep uncurling it of the scenes.

If on the other hand we had a Gonalves de Magalhes exaltando the nature, the religion: of the other side it was Gonalves Days with its Indianismo, lvares de Azevedo singing suffering and I castrate Alves defending the slaves. It is still a poetry sufficient fails, however of great literary value. The first generation lives the period of implantation of the romantic iderio. It had some conflicts at this time related with the majority of D. Peter II. The poetry idolatrou the landscape of the land.

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Transfer Business Online

Apr 25 2013 Published by under General

On our sites you can find all the information and contacts so that you can transfer their business, share it with people who surely has an interest in what you offer or sell and to thus realize the transfer, sale or purchase of a future business. With many categories available to find or sell your business such as computer science, construction, real estate, sports, electronics, services and much more. Traspasalo.com functions as a simple access agenda to find what you want, sell business, buy a business from as many options as you can imagine, from transportation to pharmacies in transfer. In ComprVentNegocios.com you will find another option to purchase a business or sell yours fast and direct, with several categories to find which is most adecue to your needs. In modern times, thinking about swapping a business, buy a business or sell your business could be a complicated task or a field where currently there is no much information or specific sites for this work, but with the help of traspasalo.com and ComprVentNegocios.com no doubt will benefit from many other people who probably are looking for what you want to sell, or sold the company you want to buy. Do you have an ice cream shop, a technology company, a workshop, a bar or a restaurant to sell? Do you want to sell your business without intermediaries?

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Brazilian Gifts

Dec 19 2012 Published by under General

Revealing doencanto and of the popular soul, pleasant lyric flavor: (BETTER, 1935, p.5) ‘ ‘ 1558) presenteno general cancioneiro, (before to desteviajar for Italy, when it changed the style for sonetos in decasslabos,). Isoto if not only explains because S erafamoso Miranda for quadrinhas emversoshexasslabos, but emontona lyric pelafeio. (These were also caractersticasprprias of cantigas of love Gallego-Portuguese) What it also limited poetical acomposio, for only, enters two four estrofes. But with the same sofreguido of the loves perdidossentido in verses of Francisco de Brazilian Souza, and others, with asmesmascaractersticas in the versificao muitoslusitanos symmetry, similars eem tambma of cancioneiros celebrities: ‘ ‘ With me I had a difference of opinion myself,/I am rank in all danger; /no to possoviver with me,/nor I can run away from me. /.

With pain of people it ran away,/before queesta thus grew; /now> to be dumb (Francisco de Sousa In: CAPADELLI) Lady my good breaks so sad my eyes for you,/quenunca so sad checks outrosnenhunspor nobody. (Joo Ruiz Castello Branco In: CAPADELLI) Nestaltima estrofe you rhyme, them in alternation are also gifts in the cantorias deXiquinha. Olirismo, escrnioe maldizertambm is gifts in our literatos. The poetry of Gregorio de burlesque, ertica and satirical sejalrica Matos, sacra, deeply is taken root Brazilian nessarealidade, especially in its two last sources, esatrica, that register the customs and the moral life, social the ertica and dacapital politics of the colony. Priests, nuns, military, employees of> endios land government, traders, proprietors, noblemen, Jews, adventurers, slaves are personages of the vast composed panel for the poet, who treated suaterratal as he was under the maisvariadospontos of sight: Let us observe its verses: Politician: The demon to live if displays,/no matter how hard the fame exalta, /numa city where it lacks/truth, honor, shame. (>) God is valid us, what he costs,/What El-King in the ones of the one of favour.

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Apud Pound

Dec 14 2012 Published by under General

The poetry contemporary is the reaction of poetical sensitivity to the racionalizante world of the consumption capitalism that takes off of the modern man the subjectivity becomes, it anonymous, being insignificant part of a great mass consumer. To the poet, in its substance that is the poetry, the paper fits to give to the common man an importance layer as form to place it as to be only incomparable and bonanza. Of – it a new to look at for the reality, provides a new behavior, a new relation with its time, the exacerbado and marcante materialism in its life. The poetry contemporary in the ones of a possibility to feel of true form the world as a whole, taking off of us that sensation of only being part as a gear that makes possible the maquinal functioning of reproduction of the rationality. To think, to look at, to reflect and to perceive are party to suit of sensation of completude of the man. Process this that makes in them to be uncommon and only in the world. The poet, through the organization of the poetical language, it has the power of convoking in them for the release, in freeing of the claws of the rational world.

Through the poetry it is that we leave the world of the transcendncia of our individual and physical body for a body collective spiritual and. The poetry is one constant exercise of reaprendizagem of new possibilities to see world the same. this is the paper of the great poet. As Coleridge said: ' ' The quality of a great poet is present in all part and in no part evidente&#039 is visible as a stimulaton; '. (COLERIDGE Apud Pound. p. 34). The cited affirmation comes to corroborate with what it is come close deducing in the conjecture of poetical making. It does not fit to the poet if to show visible to the world contemporary, fits it to work the poetical language to fortify the intuition of its reader; to make to reflect it and if to feel useful in the collective of its world.

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Poets Contemporaries

Sep 28 2012 Published by under General

Murilo Santiago poet of the revelation of what he is occult in nossointerior, poet that pulls out to the force our private thoughts and sentimentosmais, poet that are not interested for what you demonstrate to be, and yes for what you hide, poet who if interest for what you are nomundo of the dreams and in its particular world, poet of the profundezasmentais, poet that discloses what it is more disgusting in us, poets semsutilezas and delicacies interior, poet of not disclosed the close conflicts and dascoisas. Virtual loves Its impossible loves Are in fact its untouchable bodies, Its not realizable erotismo, Its incontidos desires, Its fetiches, its images and its ghosts That disturb its body. Its finished loves Left the taste in the souvenir, Left the sensation in the directions. Now after consummated You say that she loved, Perhaps in fact you have loved In way the Untouchable and impossible bodies and loves. It is probable that he has loved Or only consummated desires In bodies you touched and possible. Murilo Santiago J.Nunez18-07-09 a pseudonym of J.Nunez I am the psychological faxineiro when I am Murilo SANTIAGO

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