The poetry contemporary is the reaction of poetical sensitivity to the racionalizante world of the consumption capitalism that takes off of the modern man the subjectivity becomes, it anonymous, being insignificant part of a great mass consumer. To the poet, in its substance that is the poetry, the paper fits to give to the common man an importance layer as form to place it as to be only incomparable and bonanza. Of – it a new to look at for the reality, provides a new behavior, a new relation with its time, the exacerbado and marcante materialism in its life. The poetry contemporary in the ones of a possibility to feel of true form the world as a whole, taking off of us that sensation of only being part as a gear that makes possible the maquinal functioning of reproduction of the rationality. To think, to look at, to reflect and to perceive are party to suit of sensation of completude of the man. Process this that makes in them to be uncommon and only in the world. The poet, through the organization of the poetical language, it has the power of convoking in them for the release, in freeing of the claws of the rational world.
Through the poetry it is that we leave the world of the transcendncia of our individual and physical body for a body collective spiritual and. The poetry is one constant exercise of reaprendizagem of new possibilities to see world the same. this is the paper of the great poet. As Coleridge said: ' ' The quality of a great poet is present in all part and in no part evidente' is visible as a stimulaton; '. (COLERIDGE Apud Pound. p. 34). The cited affirmation comes to corroborate with what it is come close deducing in the conjecture of poetical making. It does not fit to the poet if to show visible to the world contemporary, fits it to work the poetical language to fortify the intuition of its reader; to make to reflect it and if to feel useful in the collective of its world.